Newsletter 2021 March - Phil Starke Fine Art

Phil Starke Studio Newsletter - March 2021

Phil Starke is a professional fine artist with prestigious gallery representation, participates in national museum exhibitions, and teaches workshops and online fine art courses.

PHIL STARKE STUDIO NEWSLETTER

March 2021

Spring is here in Georgia. I know, because of a few flowers I see around the studio and the many weeds.

The blooms on the trees are pretty spectacular so I'm looking forward to getting out to paint.

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Click image to enlarge

 I just finished with the Bootcamp Live Conference this year. It's a free 2-day conference I hold every year for members of the Bootcamp Workshop. I usually have it live in Tucson, AZ, but this year, like everything else, it was online. I want to thank everyone who could attend.  I did 2 demonstrations, Day 1 was on "The Thought Process of Mixing Color", and Day 2, I did a demonstration on "How to Control Color Intensity".

It was a good time of discussion and questions and answers. I came away a bit more competent in my computer skills.

I will have a painting in the American Impressionists Show at the  Reinert Fine Art Gallery in Charleston, South Carolina, the dates are April 1- April 30. 

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In the studio this month I’m finishing up 2 paintings. In the first I’m using sketches from a trip to the Salt River Canyon, this is an 18x30 painting done on the Carrizo River near the Salt River Canyon.

The second is from the Teton Mountains, 10.5x30 an early morning painting, waiting for the first bits of light to strike the mountains and trees.

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Click image to enlarge

I have an upcoming workshop at the Heartland Art Club in Kirkwood MO. It’s a 3 day workshop, August 12, 13, 14. and the focus is “Understanding the Painting Process from Start to Finish''. We will study the process of creating a painting, touching on all the fundamentals.  If you're interested in attending this workshop, you can find get all the information at this link: https://heartlandartclub.org/workshops-classes/p/understanding-the-painting-process-from-concept-to-finish-with-phil-starke

The second edition of my fine art magazine is now available.  This edition features the paintings of Joaquín Sorolla.  You can get your free copy at this link: SOROLLA MAGAZINE

ARTIST AT A GLANCE

Harold Septimus Power (1877 - 1951)

Harold Septimus Power (1877-1951), artist, was born on December 31, 1877 at Dunedin, New Zealand, son of Peter Power, English-born hatter, and his Scottish wife Jane, née Amers. After some art training in Melbourne he exhibited in 1899 with the Melbourne Art Club, winning both animal and landscape sections. Soon after, he moved to Adelaide where he worked as an illustrator for the Observer, the Register, the Critic and other papers. In 1904 he was commissioned by the trustees of the Art Gallery of South Australia to paint an animal picture ('After the day's toil') for 100 guineas. He married Isabel Laura Butterworth (d.1935).

In 1905-07 Power studied at the Académie Julian, Paris, then settled in London, becoming a member of the Royal Institute of Painters in Oils and the Society of Animal Painters, and exhibiting at the Royal Academy of Arts. His first one-man exhibition at the Guild Hall, Melbourne, in June 1913 displayed oils and watercolors of rural landscapes, used as backdrops for scenes of equine splendor and hunting which were to remain popular with both the local and international public and critics for the next thirty years.

In 1917 Power was appointed official war artist with the Australian Imperial Force, with the honorary rank of lieutenant. His skills as an animal painter were apparent in such paintings as 'The First Divisional Artillery goes into action before Ypres July 31, 1917' which was acclaimed at the Royal Academy in 1919.

Between the wars Power lived intermittently in Melbourne and overseas. His departures from and returns to Australia were marked by significant exhibitions, usually featuring a much-praised Royal Academy work as centrepiece. He maintained his selling appeal even through the Depression when prices of five hundred guineas remained not uncommon. In 1927 he was commissioned with W. B. McInnes to paint the ceremonial opening of the Federal parliament. He executed various other State and Federal commissions including a mural, 'War', for the Public Library of Victoria in 1924.

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ARTIST TIP

“Thinking Outside the Box”

When we are considering a painting we need to think about pushing the limits of contrast, color and composition. What I mean is; think outside the box, at least a little. We all rely on photographs too much. It's so easy just to copy what we see. If we want to grow in our knowledge of composition, value, and color we need to think outside the box. Try different shapes for your composition, not just the standard rectangle the photo gives us. In these drawings I’m seeing the same subject in 3 different formats, trying to shake things up, to see which composition is more dynamic.

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Click image to enlarge

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  • Christine says:

    Phil, you are a gold mine to me. I learned many of the concepts before encountering your lessons. I appreciate the reminders and verbalizing of the process. Many times in the past, I would have liked to have been shown the meaning. ( Not always possible in a live workshop.) You respect all of us no matter what level and your comments are kindly direct with no sugar coating. With your vast experience and success, you are not afraid to be human. Thank you for being you.

    • Phil Starke says:

      Thanks Christine. Those are very kind remarks. I’m glad you enjoy the newsletter and appreciate you supporting me through the workshops.

  • Monica Wood says:

    Bootcamp was wonderful. Thanks so much!

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